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Fifteen years ago, I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera,a woman (22) from behind. and planted herself right in front of my view.Like me,this woman was here to stop, sigh and (23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take, I grew(24).Was it too much to ask her(25)so I could take just one picture of the landscape? Sure.I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28).And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that womanwho“（31)“ it,now hangs on a wall in my bedroom.What would she think if she knew that her(32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house.Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder,a captured moment, an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago,I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的） view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind, and planted herself right in front of my view. Like me,this woman was here to stop,sigh and (23) the view.Patient as I was,after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take, I grew(24). Was it too much to ask her(25)so I could take just one picture ofthe landscape? Sure,I could have asked her, but(26)prevented me from doing so.She seemed so content in her observation. I didn't want to(27)with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28) - And now when I look at it, I think her presence in the photo is what makesthe image interesting. The landscape, beautiful on its own. somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who “ (31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very privatespace, in which some woman I don't even know has been immortalized(永存）In some ways,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder, a captured moment, an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago.I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的） view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera,a woman (22) from behind. and planted herself right in front of my view.Like me,this woman was here to stop.sigh and (23) the view.Patient as I was.after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take,I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure,I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27)with that. Another 15 minutes passed and I grew bored. The woman was stil11 there. I decided to take the photo (28).And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“（31)“ it,now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33),is a very privatespace, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder,a captured moment,an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago. I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea,I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view.Like me,this woman was here to stop.sigh and(23) the view.Patient as I was,after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take. I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure.I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27) with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28). And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who “ (31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom, (33) , is a very privatespace, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder,a captured moment, an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago. I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的） view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind, and planted herself right in front of my view. Like me,this woman was here to stop, sigh and(23)the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take.I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure, I could have asked her. but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27)with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28). And now when I look at it,I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to(29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“（31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33),is a very privatespace, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty, that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder, a captured moment,an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago,I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea,I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately,just as I took out my camera, a woman (22) from behind, and planted herself right in front of my view. Like me,this woman was here to stop,sigh and (23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take,I grew(24). Was it too much to ask her(25)so I could take just one picture ofthe landscape? Sure,I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that.Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28). And now when I look at it,I think her presence in the photo is what makes the image interesting. The landscape, beautiful on its own. somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“ (31) “ it,now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom, (33) , is a very privatespace, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house.Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder,a captured moment,an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago, I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的） view of the blue sea. I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind. and planted herself right in front of mny view.Like me,this woman was here to stop,sigh and(23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take.I grew(24).Was it too much to ask her(25)so I could take just one picture of the landscape? Sure,I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27)with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28) . And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own. somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who “ (31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom, (33) , is a very privatespace, in which some woman I don't even know has been immortalized(永存）。In some ways,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty, that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder,a captured moment, an unspoken(35) between two women, separated only by a thin square of glass.

Fifteen years ago,I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view. Like me,this woman was here to stop. sigh and (23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take. I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure,I could have asked her. but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that.Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo(28).And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“（31)“ it,now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom, (33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder, a captured moment,an unspoken(35) between two women, separated only by a thin square of glass.

Fifteen years ago,I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately,just as I took out my camera,a woman (22) from behind. and planted herself right in front of my view. Like me,this woman was here to stop,sigh and (23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take,I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure.I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28). And now when I look at it,I think her presence in the photo is what makes the image interesting. The landscape, beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo, with the unique beauty that (30) before me and that woman who “ (31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her(32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder, a captured moment, an unspoken(35) between two women, separated only by a thin square of glass.

Fifteen years ago. I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea,I paused to catch my(21)and then positioned myself to take the best photo of this panorama.Unfortunately, just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view.Like me,this woman was here to stop,sigh and (23)the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take. I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure, I could have asked her. but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28).And now when I look at it,I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“ (31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty, that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder,a captured moment,an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago.I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的） view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama.Unfortunately, just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view. Like me,this woman was here to stop,sigh and (23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take,I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure,I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27)with that.Another 15 minutes passed and I grew bored. The woman was still there.I decided to take the photo(28).And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own. somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who “ (31) “ it, now hangs on a wall in my bedroom.What would she think if she knew that her(32) is captured and frozen on some stranger's bedroom wall? A bedroom, (33),is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house.Perhaps this is what photos are for: to(34) us that we all appreciate beauty,that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder,a captured moment,an unspoken(35) between two women, separated only by a thin square of glass.

Fifteen years ago,I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view. Like me,this woman was here to stop,sigh and (23) the view.Patient as I was, after about 15 minutes, my camera scanning the sun and reviewing the shot I would eventually take. I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure,I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28) . And now when I look at it, I think her presence in the photo is what makes the image interesting.The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“ (31) “ it, nowhangs on a wall in my bedroom.What would she think if she knew that her(32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house.Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder,a captured moment, an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago.I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的） view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately, just as I took out my camera, a woman (22) from behind, and planted herself right in front of my view. Like me,this woman was here to stop, sigh and(23)the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take.I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure, I could have asked her. but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27)with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28). And now when I look at it,I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that (30) before me and that woman who“ (31) “ it, now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33),is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure, for connection,for something that is greater than us. That photo is a reminder, a captured moment, an unspoken(35) between two women, separated only by a thin square of glass.

Fifteen years ago. I took a summer vacation in southern Italy. After climbing up a hill for a panoramic(全景的）view of the blue sea,I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately,just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view.Like me,this woman was here to stop.sigh and (23) the view.Patient as I was, after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take.I grew(24).Was it too much to ask her(25)so I could take just one picture of the landscape? Sure,I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to (27) with that.Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo(28).And now when I look at it, I think her presence in the photo is what makes the image interesting. The landscape,beautiful on its own, somehow comes to (29) and breathes because this woman is engaging with it. This photo, with the unique beauty that (30) before me and that woman who“（31) “ it,now hangs on a wall in my bedroom.What would she think if she knew that her(32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways ,she lives in my house. Perhaps this is what photos are for: to(34) us that we all appreciate beauty,that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder, a captured moment,an unspoken(35) between two women,separated only by a thin square of glass.

Fifteen years ago.I took a summer vacation in southern Italy.After climbing up a hill for a panoramic(全景的）view of the blue sea, I paused to catch my(21)and then positioned myself to take the best photo of this panorama. Unfortunately,just as I took out my camera, a woman (22) from behind. and planted herself right in front of my view.Like me,this woman was here to stop,sigh and(23) the view.Patient as I was,after about 15 minutes,my camera scanning the sun and reviewing the shot I would eventually take, I grew(24). Was it too much to ask her(25)so I could take just one picture of the landscape? Sure, I could have asked her, but(26)prevented me from doing so. She seemed so content in her observation. I didn't want to(27)with that. Another 15 minutes passed and I grew bored. The woman was still there. I decided to take the photo (28). And now when I look at it,I think her presence in the photo is what makes the image interesting. The landscape, beautiful on its own. somehow comes to (29) and breathes because this woman is engaging with it. This photo,with the unique beauty that(30) before me and that woman who“（31)“it,now hangs on a wall in my bedroom. What would she think if she knew that her (32) is captured and frozen on some stranger's bedroom wall? A bedroom,(33), is a very private space, in which some woman I don't even know has been immortalized(永存）。In some ways , she lives in my house. Perhaps this is what photos are for: to (34) us that we all appreciate beauty,that we all share a common for pleasure,for connection,for something that is greater than us. That photo is a reminder,a captured moment,an unspoken(35) between two women, separated only by a thin square of glass.

Cats are creatures of habit. They like to go to sleep about the same time every day and for a certain length of time. They seem to have a natural clock inside them that tells them when to sleep.Cats increase their regular sleep with occasional eat naps(打盹）。 Some experts feel that humans could also benefit from this habit. Cat naps help to build up energy in the body. They are also a good way to get rid of trouble!Since eats have the same moods(情绪）as humans, some experts believe that people can improve their moods. People might become happier. A number of famous people have copied cats by taking cat naps during the day.The naps would usually last form 15 to 30 minutes.Winston Churchill took cat naps. So did Presidents Harry Truman, John F.Kennedy Lyndon B.Johnson. These famous men were known for their energy. They were also aide to work long hours, often into the might. Napping was their secret. Perhaps more people learn from eats and take naps to feel better and live longer! Taking cat naps_____

Cats are creatures of habit. They like to go to sleep about the same time every day and for a certain length of time. They seem to have a natural clock inside them that tells them when to sleep. Cats increase their regular sleep with occasional eat naps(打盹）。Some experts feel that humans could also benefit from this habit.Cat naps help to build up energy in the body. They are also a good way to get rid of trouble!Since eats have the same moods(情绪）as humans, some experts believe that people can improve their moods. People might become happier. A number of famous people have copied cats by taking cat naps during the day. The naps would usually last form 15 to 30 minutes.Winston Churchill took cat naps. So did Presidents Harry Truman, John F.Kennedy Lyndon B.Johnson. These famous men were known for their energy.They were also aide to work long hours,often into the might. Napping was their secret. Perhaps more people learn from eats and take naps to feel better and live longer! Which of the following statements is NOT true?

Cats are creatures of habit. They like to go to sleep about the same time every day and for a certain length of time. They seem to have a natural clock inside them that tells them when to sleep. Cats increase their regular sleep with occasional eat naps(打盹）。Some experts feel that humans could also benefit from this habit. Cat naps help to build up energy in the body. They are also a good way to get rid of trouble!Since eats have the same moods(情绪）as humans, some experts believe that people can improve their moods. People might become happier. A number of famous people have copied cats by taking cat naps during the day. The naps would usually last form 15 to 30 minutes.Winston Churchill took cat naps.So did Presidents Harry Truman, John F.Kennedy Lyndon B.Johnson.These famous men were known for their energy.They were also aide to work long hours,often into the might.Napping was their secret. Perhaps more people learn from eats and take naps to feel better and live longer! Naps usually last______

Cats are creatures of habit. They like to go to sleep about the same time every day and for a certain length of time. They seem to have a natural clock inside them that tells them when to sleep.Cats increase their regular sleep with occasional eat naps(打盹）。 Some experts feel that humans could also benefit from this habit. Cat naps help to build up energy in the body. They are also a good way to get rid of trouble!Since eats have the same moods(情绪）as humans. some experts believe that people can improve their moods. People might become happier. A number of famous people have copied cats by taking cat naps during the day. The naps would usually last form 15to 30 minutes.Winston Churchill took cat naps. So did Presidents Harry Truman, John F.Kennedy Lyndon B.Johnson.These famous men were known for their energy.They were also aide to work long hours, often into the might. Napping was their secret. Perhaps more people learn from eats and take naps to feel better and live longer! This selection was probably written to______

With the large number of dogs roaring through our communities,people need to know the facts about rabies （狂犬病），a fatal disease caused by animal bites. Despite vaccination(接種疫苗）programs,rabies is still very prevalent, and will continue to be a serious public health problem for many years to come. Rabies strikes the central nervous system and brings on choking,convulsions （抽搐） and inability to swallow liquids. It can even cause death. If you or anyone in your familyis bitten by dog: cat or other animal, you should not panic,but thoroughly wash the wound with plenty of soap and water and rush to nearby hospital for immediate treatment. If you own the animal which did the biting,you should immediately call a veterinarian for advice and make sure the public health authorities know when and where the biting took place and who was bitten. If a person is bitten by some kind of animal, you_______